Vizontele: A Hilarious Comedy About the Arrival of Television in a Turkish Village
Vizontele is a 2001 Turkish comedy film directed by YÄlmaz ErdoÄan and Ãmer Faruk Sorak. The film tells the story of how television came to a small village in southeast Anatolia in 1974, and how the villagers reacted to this new invention. The film is based on ErdoÄan's childhood memories of growing up in a similar village.
The film features a colorful cast of characters, such as Deli Emin (ErdoÄan), the village idiot who is obsessed with radio; Fikri (Altan Erkekli), the mayor who wants to bring progress and modernity to the village; Nazmi (Cem YÄlmaz), the cynical teacher who opposes Fikri's plans; Latif (Bican GÃnalan), the barber who loves cinema; and many others. The film also depicts the political and social changes that were happening in Turkey at the time, such as the rise of leftist movements, the Kurdish issue, and the Cyprus conflict.
Vizontele is a hilarious and heartwarming film that celebrates the power of imagination, humor, and friendship. The film was a huge success in Turkey, becoming one of the highest-grossing Turkish films of all time. It also received critical acclaim and won several awards, including the Golden Orange for Best Film at the Antalya Film Festival. The film spawned a sequel, Vizontele Tuuba, in 2004.
If you want to watch Vizontele in HD quality, you can download it from various torrent sites. However, be careful of viruses and malware that may harm your computer. Alternatively, you can stream it online from legal platforms that offer Turkish films. You can also buy or rent the DVD or Blu-ray from online stores or local shops.
Vizontele is a film that will make you laugh, cry, and think. It is a film that shows the beauty and diversity of Turkish culture and history. It is a film that you will not regret watching.
Vizontele also features a talented cast of actors, many of whom are well-known comedians in Turkey. YÄlmaz ErdoÄan, who co-directed and co-wrote the film, plays Deli Emin, the village idiot who is obsessed with radio and becomes the main technician of the television project. Demet AkbaÄ plays Siti Ana, Emin's mother who is a widow and a fortune-teller. Altan Erkekli plays Mayor Nazmi, the progressive leader of the village who wants to bring television to his people. Cem YÄlmaz plays Fikri, the cynical teacher who opposes Nazmi's plans and mocks Emin's efforts. Cezmi BaskÄn plays Latif, the sleazy opportunist who runs open-air film screenings and tries to sabotage the television project. Bican GÃnalan plays Sezgin, Nazmi's loyal assistant who helps him with the television project. Åebnem SÃnmez plays GÃlizar, Latif's wife who is unhappy with her marriage and falls in love with Sezgin. Äclal AydÄn plays Reyhan, Nazmi's daughter who is engaged to Rifat (Mesut ÃakarlÄ), a soldier who dies in Cyprus. Zeynep TokuÅ plays Asiye, a young woman who is in love with Nazif (Tolga Ãevik), a leftist activist who is wanted by the police.
The film also has many memorable scenes and dialogues that have become part of Turkish popular culture. For example, when Emin first sees the television set, he asks \"Is this a washing machine\" When Nazmi tries to explain what television is to the villagers, he says \"It's like cinema, but it's free and it comes to your house.\" When Latif tries to convince the imam to ban television, he says \"It's a sin, it's a sin. It shows women's legs.\" When Emin and his team finally get a signal on the television, they shout \"We have a picture!\" When Nazmi watches the news about his son's death on television, he says \"Turn it off, turn it off.\"
Vizontele is not only a comedy film, but also a social commentary on the changes and challenges that Turkey faced in the 1970s. The film shows how television brought new perspectives and possibilities to a remote and isolated village, but also how it exposed them to the harsh realities of the outside world. The film also reflects on the political and cultural conflicts that divided Turkish society at the time, such as secularism versus religion, modernity versus tradition, democracy versus authoritarianism, nationalism versus socialism, and Turkish versus Kurdish identity. 061ffe29dd